New African American Books: Sports & Entertainment
February 21, 2010
Foxy: My Life in Three Acts
by Pam Grier, with Andrea Cagan
Springboard Press
Available 04/28/10 in Hardcover
Beautiful, bold, and bad, Pam Grier burst onto the movie scene in the 1970s, setting the screen on fire and forever changing the country’s view of African American actresses. With a killer attitude and body to match, Grier became the ultimate fantasy of men everywhere. But she quickly proved that she was more than just a desirable film goddess. She had the brains, courage, and tenacity to sustain a career that would span more than 30 years. In FOXY, she chronicles the good, bad, and steamy highlights in her life and career. From her early beginnings as a star in Foxy Brown to her Golden-Globe nominated role in Quentin Tarantino’s Jackie Brown, Grier reveals her hard-won battles against racism and sexism, her victories in Hollywood, and her relationships with Richard Pryor and Kareem Abdul Jabar. Here, we see Pam in all of her incredible roles-from army brat and movie star to cancer survivor and dedicated activist. Revealing, thoroughly candid, and audacious, this is a no-holds-barred look at one of our most enduring screen idols.
February 21, 2010
Pantheon
Available 05/11/10 in Hardcover
The first definitive biography of Henry Aaron — baseball’s great home-run champion and one of its most enduring legends.
As the steroid controversy has increasingly tarnished baseball’s image, Hank Aaron’s achievements have come to seem all the more remarkable: the first player to pass Babe Ruth in home runs, Aaron held that record for thirty-three years while shattering other records (RBIs, total bases, extra-base hits) and setting new ones (hitting at least thirty home runs per season fifteen times). But his achievements run much deeper than his stats. Chronicling the social upheavals of the years during which Aaron played (1954 to 1976), Howard Bryant shows us how the dignity and determination with which he stood against racism — on and off the field, and as one of the first blacks in baseball’s upper management — helped transform the role and significance of the professional black athlete and turn Aaron into an national icon.
Eloquently written, detailed, and penetrating, this is a revelatory portrait of both the great ballplayer and the complicated private man.
February 20, 2010
By HILLEL ITALIE,
AP National Writer
Fri Feb 12, 7:39 am ET
NEW YORK – Once again, it’s Willie Mays vs. Hank Aaron.
This time, in the book world.
Long, and long-awaited, biographies of the two iconic baseball sluggers come out this year, within three months of each other: James S. Hirsch’s 600-plus page “Willie Mays,” just released, and Howard Bryant’s 600-plus page book on Aaron, “The Last Hero,” scheduled for May.
Mays, who spent much of his career with the New York/San Francisco Giants and Aaron, a longtime star for the Milwaukee/Atlanta Braves, are still endlessly compared, with Mays celebrated as the more dynamic on-field presence and Aaron honored for overtaking Babe Ruth as baseball’s home run king.
Both books are sympathetic accounts that cover not just Mays and Aaron but the era in which they played, especially how they responded — or didn’t — to the civil rights movement. Mays and Aaron, each of whom have published autobiographies, agreed to be interviewed by their respective biographers, although the relationships differed.
Mays was involved from the start and will share in the revenues from the Scribner release, billed as “authorized.” Aaron had not yet agreed to speak to Bryant when the author signed with Pantheon, in 2006. Aaron is not being paid and, Bryant said, didn’t even see the book before it was finished.
“Luckily, it turned out all right,” said Bryant, a senior writer for ESPN.com who has written books on steroids and the Boston Red Sox. “Had he not cooperated, it would have been a very different book.”
Biographies of living people generally are either authorized — written with the subject’s involvement and to the subject’s taste — or “Unauthorized,” written without the subject’s permission and often against the subject’s wishes. The most famous unauthorized biographies are Kitty Kelley’s best sellers about such celebrities as Jackie Kennedy, Frank Sinatra and Nancy Reagan. A Kelley book on Oprah Winfrey is due in April.
But in between stands a category you could call “cooperative,” in which the subject is available, but otherwise disengaged. “Cooperative” biographies in recent years have included Gerald Martin’s “Gabriel Garcia Marquez: A Life” and Peter Biskind’s “Star,” about Warren Beatty. The Mays book fits partly because Hirsch says he was granted full editorial freedom and “The Last Hero” does entirely because Aaron’s participation was limited to talking to Bryant.
For more, see Yahoo News.
February 7, 2010
Willie Mays: The Life, The Legend
by James S Hirsch
Scribner
Available 02/09/10 in Hardcover
Authorized by Willie Mays and written by a New York Times bestselling author, this is the definitive biography of one of baseball’s immortals.
Considered to be “as monumental — and enigmatic — a legend as American sport has ever seen” (Sports Illustrated), Willie Mays is arguably the greatest player in baseball history, still revered for the passion he brought to the game. He began as a teenager in the Negro Leagues, became a cult hero in New York, and was the headliner in Major League Baseball’s bold expansion to California. With 3,283 hits, 660 home runs, and 338 stolen bases, he was a blend of power, speed, and stylistic bravado that enraptured fans for more than two decades. Now, in the first biography authorized by and written with the cooperation of Willie Mays, James Hirsch reveals the man behind the player.
Willie is perhaps best known for “The Catch” — his breathtaking over-the-shoulder grab in the 1954 World Series. But he was a transcendent figure who received standing ovations in enemy stadiums and who, during the turbulent civil rights era, urged understanding and reconciliation. More than his records, his legacy is defined by the pure joy that he brought to fans and the loving memories that have been passed to future generations so they might know the magic and beauty of the game. With meticulous research, and drawing on interviews with Mays himself as well as with close friends, family, and teammates, Hirsch presents a complex portrait of one of America’s most significant cultural icons.
January 4, 2010
Houghton Mifflin Harcourt
Available 12/02/09 in Hardcover
Amazon Best Books of the Month, December 2009
Crafted with a musician’s ear and an historian’s eye, Pops is a vibrant biography of the iconic Louis Armstrong that resonates with the same warmth as ol’ Satchmo’s distinctive voice. Wall Street Journal critic Terry Teachout draws from a wealth of previously unavailable material — including over 650 reels of Armstrong’s own personal tape recordings — to create an engaging profile that slips behind the jazz legend’s megawatt smile. Teachout reveals that the beaming visage of “Reverend Satchelmouth” was not a mark of racial subservience, but a clear symbol of Louis’s refusal to let anything cloud the joy he derived from blowing his horn. “Faced with the terrible realities of the time and place into which he had been born,” explains Teachout, “he didn’t repine, but returned love for hatred and sought salvation in work.” Armstrong was hardly impervious to the injustices of his era, but in his mind, nothing was more sacred than the music. –Dave Callanan
Louis Armstrong was the greatest jazz musician of the twentieth century and a giant of modern American culture. He knocked the Beatles off the top of the charts, wrote the finest of all jazz autobiographies–without a collaborator–and created collages that have been compared to the art of Romare Bearden. The ranks of his admirers included Johnny Cash, Jackson Pollock and Orson Welles. Offstage he was witty, introspective and unexpectedly complex, a beloved colleague with an explosive temper whose larger-than-life personality was tougher and more sharp-edged than his worshipping fans ever knew.
Wall Street Journal arts columnist Terry Teachout has drawn on a cache of important new sources unavailable to previous Armstrong biographers, including hundreds of private recordings of backstage and after-hours conversations that Armstrong made throughout the second half of his life, to craft a sweeping new narrative biography of this towering figure that shares full, accurate versions of such storied events as Armstrong’s decision to break up his big band and his quarrel with President Eisenhower for the first time. Certain to be the definitive word on Armstrong for our generation, Pops paints a gripping portrait of the man, his world and his music that will stand alongside Gary Giddins’ Bing Crosby: A Pocketful of Dreams and Peter Guralnick’s Last Train to Memphis: The Rise of Elvis Presley as a classic biography of a major American musician.
January 1, 2010
Harper
Available 05/01/09 in Hardcover
Red Auerbach, one of the greatest coaches in sports history, died on October 28, 2006. Bill Russell, the five-time MVP and star center on the Auerbach teams that won eleven championships in thirteen years, said little in public at the time. His relationship with his coach had been so deeply personal that he could not express it with a brief comment. In fact, little known to the public, Auerbach and Russell — one a short, brash Jew from Brooklyn, the other a tall, intense African-American from Louisiana and Oakland — were far more than just coach and player. Through thirteen years of building a sports dynasty together, one that remains among the greatest of all time, their relationship evolved into a rare, telling example of deep male friendship: confident, supportive, understanding, founded in common goals, even as their feelings remained largely unspoken.
They stayed close for the rest of Auerbach’s life, despite physical distance and far fewer chances to be together. True male friends are always there for each other, whenever the need or occasion arises. Red and Me is an extraordinary book: an homage to a peerless coach, showing how he produced results unlike any other; an inspiring story of mutual success, in which each man gave his all, and gained back even more; above all, it may be the best depiction of male friendship ever put on the page. Who would have guessed that such different men could have become such a tightly bonded pair? Few did guess it. Now Russell tells it.
November 15, 2009
Sixty Feet, Six Inches: A Hall of Fame Pitcher & a Hall of Fame Hitter Talk about How the Game is Played
by Bob Gibson, Reggie Jackson, and Lonnie Wheeler
Doubleday
Available 09/22/09
Reggie Jackson and Bob Gibson offer a once-in-a-lifetime opportunity to understand America’s pastime from their unique insider perspective.Legendary. Insightful. Uncompromising. Candid. Uncensored. Mr. October and Hoot Gibson unfortunately never faced each other on the field. But now, in Sixty Feet, Six Inches, these two legends open up in fascinating detail about the game they love and how it was, is, and should be played. Their one-of-a-kind insider stories recall a who’s who of baseball nobility, including Willie Mays, Alex Rodriguez, Hank Aaron, Albert Pujols, Billy Martin, and Joe Torre. This is an unforgettable baseball history by two of its most influential superstars.
November 1, 2009
Shooting Stars by LeBron James and Buzz Bissinger
Penguin Audio
Available 09/08/09
Audio CD — Unabridged 7 CDs, 9 hours
From the ultimate team-basketball superstar LeBron James and Buzz Bissinger, Pulitzer Prize-winning author of Friday Night Lights and Three Nights in August-a poignant, thrilling tale of the power of teamwork to transform young lives, including James’s own.
October 28, 2009
Knopf
Available 10/13/09
From the author of the critically acclaimed In Black and White: The Life of Sammy Davis, Jr., comes another illuminating socio-historical narrative of the twentieth century, this one spun around one of the most iconic figures of the fight game, Sugar Ray Robinson.
Continuing to set himself apart as one of our canniest cultural historians, Wil Haygood grounds the spectacular story of Robinson’s rise to greatness within the context of the fighter’s life and times. Born Walker Smith, Jr., in 1921, Robinson had an early childhood marked by the seething racial tensions and explosive race riots that infected the Midwest throughout the twenties and thirties. After his mother moved him and his sisters to the relative safety of Harlem, he came of age in the vibrant post-Renaissance years. It was there that — encouraged to box by his mother, who wanted him off the streets — he soon became a rising star, cutting an electrifying, glamorous figure, riding around town in his famous pink Cadillac. Beyond the celebrity, though, Robinson would emerge as a powerful, often controversial black symbol in a rapidly changing America. Haygood also weaves in the stories of Langston Hughes, Lena Horne, and Miles Davis, whose lives not only intersected with Robinson’s but also contribute richly to the scope and soul of the book.
From Robinson’s gruesome six-bout war with Jake “Raging Bull” LaMotta and his lethal meeting with Jimmy Doyle to his Harlem nightclub years and thwarted show-biz dreams, Haygood brings the champion’s story, in the ring and out, powerfully to life against a vividly painted backdrop of the world he captivated.
October 27, 2009
Through the Wire: Lyrics & Illuminations
by Kanye West
illustrated by Bill Plympton
Atria
Available 11/10/09
This is a rare partnership between two geniuses at the top of their crafts — Kanye West, who was named “the smartest man in hip-hop” by Time magazine, and Bill Plympton, an Academy Award-nominated animator, cartoonist, and illustrator.
Through the Wire is a graphic memoir that illustrates the lyrics of twelve Kanye West songs to tell his story, from his decision to drop out of college to pursue his dreams in music, through his days spent folding chinos at the Gap while struggling at night to make a name as a producer, through the pivotal car accident that eventually set him on the course to stardom and the epiphany of realizing exactly who he had become:
And anything that happens is for a reason…”
Plympton illustrates each of the songs in detail, his vision of Kanye’s world. The songs are annotated with explanations of the references in the songs, biographical components that illuminate the lyrics, and their meaning on a deeply personal level.
The result is a one-of-a-kind book that initially grabs you and stays with you forever.
